The Taking of Devorah Logan de Adam Robitel. El demonio del olvido

Ana María Villegas Vargas; Sara Isabel Quintero Cárdenas

doi:10.30554/escribania.v19i1.4336

The Taking of Devorah Logan by Adam Robitel. The demon of oblivion

The Taking of Devorah Logan de Adam Robitel. El demonio del olvido

Published 2022-02-07

https://doi.org/10.30554/escribania.v19i1.4336

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Vol. 19 Núm 1. (24)

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Hojalateros

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Villegas Vargas, A. M., & Quintero Cárdenas, S. I. (2022). The Taking of Devorah Logan by Adam Robitel. The demon of oblivion. Escribanía. https://doi.org/10.30554/escribania.v19i1.4336

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https://doi.org/10.30554/escribania.v19i1.4336

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How to Cite

Villegas Vargas, A. M., & Quintero Cárdenas, S. I. (2022). The Taking of Devorah Logan by Adam Robitel. The demon of oblivion. Escribanía. https://doi.org/10.30554/escribania.v19i1.4336

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Ana María Villegas Vargas

Student of the School of Social Communication and Journalism of the University of Manizales.

Sara Isabel Quintero Cárdenas

Student of the School of Social Communication and Journalism of the University of Manizales.

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This article reflects on the film The Taking of Devorah Logan under the imprint of the work on the cinematographic subgenre Footage Found. With a narrative about Alzheimer's, it makes a reading of elements that the director uses for the montage, such as: the mockumentary, the camera as the protagonist and disassembly. Likewise, in the use of images, the look subjective and
testimony as a creator of tension.

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