End of Watch de David Ayer. Entre el Metraje Encontrado y la realidad policíaca estadounidense

Manuela Buitrago Serna

doi:10.30554/escribania.v19i1.4334

End of Watch by David Ayer. Between Found Footage and American police reality

End of Watch de David Ayer. Entre el Metraje Encontrado y la realidad policíaca estadounidense

Published 2022-02-07

https://doi.org/10.30554/escribania.v19i1.4334

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Vol. 19 Núm 1. (24)

Section

Hojalateros

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Buitrago Serna, M. (2022). End of Watch by David Ayer. Between Found Footage and American police reality. Escribanía. https://doi.org/10.30554/escribania.v19i1.4334

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DOI

https://doi.org/10.30554/escribania.v19i1.4334

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How to Cite

Buitrago Serna, M. (2022). End of Watch by David Ayer. Between Found Footage and American police reality. Escribanía. https://doi.org/10.30554/escribania.v19i1.4334

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This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

Manuela Buitrago Serna

Student of the School of Social Communication and Journalism of the University of Manizales.

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The film End of Watch, an example of intertextuality, focuses on a social narrative that reveals the problem of Mexican drug trafficking and its different forms of violence. As a treatment for this phenomenon the disfigurement of ethics is evidenced to give way to police, grassroots violence, such as a problem of racism. As a characteristic of subgenre Found Footage is made use of planes subjective and the imprint of the director is exposed as a filmmaker interested in crime drama.

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