El paisaje de los sabores. Un recorrido por las cocinas tradicionales del Paisaje Cultural Cafetero de los municipios de Manizales y Aránzazu, a través de una instalación sonora y realidad aumentada

Diana Milena Reyes Arias

doi:10.30554/escribania.v19i1.4329

The landscape of flavors. A tour of the traditional kitchens of the Coffee Cultural Landscape of the municipalities of Manizales and Aránzazu, through a sound installation and augmented reality

El paisaje de los sabores. Un recorrido por las cocinas tradicionales del Paisaje Cultural Cafetero de los municipios de Manizales y Aránzazu, a través de una instalación sonora y realidad aumentada

Published 2022-02-07

https://doi.org/10.30554/escribania.v19i1.4329

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Vol. 19 Núm 1. (24)

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Forjadores: Artículos de Investigación

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Reyes Arias, D. M. (2022). The landscape of flavors. A tour of the traditional kitchens of the Coffee Cultural Landscape of the municipalities of Manizales and Aránzazu, through a sound installation and augmented reality. Escribanía. https://doi.org/10.30554/escribania.v19i1.4329

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https://doi.org/10.30554/escribania.v19i1.4329

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How to Cite

Reyes Arias, D. M. (2022). The landscape of flavors. A tour of the traditional kitchens of the Coffee Cultural Landscape of the municipalities of Manizales and Aránzazu, through a sound installation and augmented reality. Escribanía. https://doi.org/10.30554/escribania.v19i1.4329

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This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

Diana Milena Reyes Arias

Professor at the School of Social Communication and Journalism at the University of Manizales.

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The landscape of flavors is a research-creation project that seeks to bring to the ears of the city
the soundscapes of the traditional kitchens of the Municipality of Manizales and Aránzazu that are
part of the Coffee Cultural Landscape (PCC). This project has as general purpose build a procedural
work from soundscapes recreated from traditional culinary practices in coffee farms in the
municipalities of Manizales and Aránzazu within the PCC. To achieve this, collected and selected
-through sound records- the marks (soundmark) of each kitchen traditional. The result will be a
sound installation with augmented reality that allows bringing, not only soundscapes in a listening
design, but also allows whoever interacts to travel to the four kitchens using the augmented reality technique.

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