La última frontera: lo abyecto

Mateo  Ortiz Giraldo

doi:10.30554/escribania.v18i2.4024

The last frontier: the abject

La última frontera: lo abyecto

Published 2021-09-26

https://doi.org/10.30554/escribania.v18i2.4024

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Vol. 18 No. 2 (23)

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Hojalateros

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Ortiz Giraldo, M. . (2021). The last frontier: the abject. Escribanía, 18(2). https://doi.org/10.30554/escribania.v18i2.4024

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https://doi.org/10.30554/escribania.v18i2.4024

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How to Cite

Ortiz Giraldo, M. . (2021). The last frontier: the abject. Escribanía, 18(2). https://doi.org/10.30554/escribania.v18i2.4024

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Mateo Ortiz Giraldo

Journalist from the University of Manizales

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Cinema, as a representation of the real, explores human nature by allowing itself create from its intrinsic need for emulation, as an art of the abject that exposes his ability to extrapolate the human. This article thus reflects on the question Is cinema born from the need for emulation and extrapolation of the human? With this,
the abject in the seventh art is problematized as the possibility of exploring and opening
borders that allow positioning the moving image as a field of human construction

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