La última frontera: lo abyecto

Mateo  Ortiz Giraldo

doi:10.30554/escribania.v18i2.4024

The last frontier: the abject

La última frontera: lo abyecto

Published 2021-09-26

https://doi.org/10.30554/escribania.v18i2.4024

Open | Download

PDF (Spanish) FLIP PDF FLIP

Issue

Vol. 18 No. 2

Section

Tinsmiths

How to Cite

Ortiz Giraldo, M. . (2021). The last frontier: the abject. Escribanía, 18(2). https://doi.org/10.30554/escribania.v18i2.4024

Download Citation

Endnote/Zotero/Mendeley (RIS) BibTeX

DOI

https://doi.org/10.30554/escribania.v18i2.4024

Dimensions

PlumX

How to Cite

Ortiz Giraldo, M. . (2021). The last frontier: the abject. Escribanía, 18(2). https://doi.org/10.30554/escribania.v18i2.4024

Download Citation

license

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

Mateo Ortiz Giraldo

Journalist from the University of Manizales

Show authors biography

Cinema, as a representation of the real, explores human nature by allowing itself create from its intrinsic need for emulation, as an art of the abject that exposes his ability to extrapolate the human. This article thus reflects on the question Is cinema born from the need for emulation and extrapolation of the human? With this,
the abject in the seventh art is problematized as the possibility of exploring and opening
borders that allow positioning the moving image as a field of human construction

Article visits 429 | PDF visits 201