The cinema of deception. Analysis of the allegory in the filmic Baroque

El cine del engaño. Análisis de la alegoría en el Barroco fílmico

The use of allegory in the cinema, as a rhetorical figure, leads us to think about the possibility  of its presence within the image and / or in the montage, as in the entire film. as a story, that is, the idea that a movie can be an allegory. This research is was interested in the analysis of different films that, in one way or another, use allegorical
strategies that invite the viewer to assume an active role. The basic question is how does it work allegory in the cinema that privileges a baroque writing regime (not as a historical period but as style)? Through three films (intentional corpus), in the field of studies filmic films with a hermeneutical orientation, it is concluded that this cinema, both in montage as in the story, de-constructs and dismantles meanings, for that matter, in relation to life, the identity and conditions of a capitalist world.