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The academic musician: between legality and technology

El músico académico: entre la legalidad y la tecnología




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GIRALDO-MEDINA, Óscar M., & VEGA, O. A. (2017). The academic musician: between legality and technology. Ventana Informatica, 36. https://doi.org/10.30554/ventanainform.36.2392.2017
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GIRALDO-MEDINA, Óscar M., & VEGA, O. A. (2017). The academic musician: between legality and technology. Ventana Informatica, 36. https://doi.org/10.30554/ventanainform.36.2392.2017

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Óscar Mauricio GIRALDO-MEDINA
Omar Antonio VEGA

Óscar Mauricio GIRALDO-MEDINA,

Estudiante pregrado de Licenciatura en Música / Undergraduate student of Music / Estudante de graduação em Música, Universidad de Caldas (Manizales, Caldas, Colombia).

Omar Antonio VEGA,

Doctor en Sociedad de la Información y el Conocimiento / Doctor in Information and Knowledge Society / PhD em Sociedade da Informação e do Conhecimento. Profesor de cátedra / Teacher for hours / Professor por horas, Universidad de Caldas; Profesor titular / Titular Professor / Professor Titular, Universidad de Manizales; (Manizales, Caldas, Colombia). http://orcid.org/0000-0002-5916-2181


The music industry is perhaps one of the sectors where there have been major changes due to the technological boom in its processes, especially of circulation, access and consumption, which has made the existing regulations have been overcome by the nascent behavior and options based In technical developments. Moving from the physical disk to the distribution of files online, stop buying albums to access -many times for free- to individual songs, consider that the existence on the Internet of a work implies its absolute availability, are some of the modifications caused in the industry. Therefore, the article seeks to approach the reality of the record industry, seen from academia, and in the light of intellectual property

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