Three derivations about the human and a film as a desecration of the body
Three derivations about the human and a film as a desecration of the body
How to Cite
Download Citation
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Show authors biography
Most read articles by the same author(s)
- Carlos Fernando Alvarado Duque, Presentación , Escribanía: Vol. 15 No. 1 (20)
- Carlos Fernando Alvarado Duque, Presentación , Escribanía: Vol. 14 No. 1 (19)
- Carlos Fernando Alvarado Duque, Pautas Autores , Escribanía: Vol. 14 No. 2 (19)
- Carlos Fernando Alvarado Duque, Presentation , Escribanía: Vol. 15 No. 1 (20)
- Carlos Fernando Alvarado Duque, Presentación , Escribanía: Vol. 16 No. 2 (21)
- Carlos Fernando Alvarado Duque, Presentation , Escribanía: Vol. 16 No. 1 (21)
- Carlos Fernando Alvarado Duque, Presentación , Escribanía: Vol. 11 No. 2 (16)
- Carlos Fernando Alvarado Duque, Presentation , Escribanía: Vol. 19 Núm 1. (24)
- Carlos Fernando Alvarado Duque, Presentación , Escribanía: Vol. 12 No. 1 (17)
- Carlos Fernando Alvarado Duque, Presentación , Escribanía: Vol. 13 No. 2 (18)
This text begins with the question about the human. A strange mystery that
serves as a pre-text to approach the way a body operates. This is achieved
through a dialogue between three different epistemological readings: Leroi-
Gourhan and Gadamer, Agamben and Castoriadis, and Lotman and Pardo. This
group of thinkers shares, in its way, alternative explorations that transcend
the metaphysical records of humans to converge, without reaching a single
universal definition, to the idea that everybody is assumed to be having a hard
struggle with its surroundings, a recognition of exteriority. This is accompanied
by an exegetical exercise of the film Stoker, by director Chan-Wook Park, which
offers a desecration of the human revealing bodies that easily appear to being
inhuman.
Article visits 179 | PDF visits 104
Downloads
Information
